Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

Monday, November 2, 2020

Caste: The Origins of Our Discontents - a review by Mark D. Walker

The lockdown caused by COVID-19 has laid bare the growing inequalities and injustices in our social and economic systems today. Yet it offers a good opportunity to understand our foundations, as well as why so many white Americans seem willing to disregard the needs of their fellow citizens in order to maintain a system that benefits them so mightily, while ignoring and explaining away the suffering of others.

The public, excruciating murder of George Floyd sparked an awakening among many white people of our nation’s systemic racism, to acknowledge its power and longevity for over 400 years on this continent. Pulitzer Prize winner and bestselling author, Isabel Wilkerson, examines the often unspoken caste system that has shaped America. Caste: The Origins of Our Discontents, shows how our lives are still impacted by a hierarchy of human divisions, which damages not only the Blacks at the bottom, but also the white population at the top of society today. In understanding this insidious system, I fully agree with Albert Einstein, who said, “If the majority knew of the root of this evil, then the road to its cure would not be long.” 

Wilkerson states, “American slavery, which lasted from 1619 to 1865, was not the slavery of ancient Greece or the illicit sex slavery of today. American slavery, by contrast, was legal and sanctioned by the state and a web of enforcers...” “For the first time in history, one category of humanity was ruled out of the ‘human race,’ and into a separate sub-group that was to remain enslaved for generations in perpetuity.” 

The author goes on to describe caste systems in India as well as in Nazi Germany, in order to broaden our understanding of how the system has developed in the U.S. And according to a spokesman for the German press agency, when the Nazis were solidifying their grip on the country, they used the United States as a model for their own racism. “For us Germans, it is especially important to know and see how one of the biggest states in the world with Nordic stock already has race legislation, which is quite comparable to that of the German Reich.” 

Another passage reveals, “In Germany, displaying the swastika is a crime punishable by up to three years in prison. In the United States, the rebel flag is incorporated into the official state flag of Mississippi. It can be seen on the backs of pickup trucks north and south, fluttering along highways in Georgia and the other former Confederate states…” The author goes on to point out that, “In Germany, restitution has rightly been paid, and continues to be paid, to survivors of the Holocaust. In America, it was the slaveholders who got restitution, not the people whose lives and wages were stolen from them for twelve generations.” 

The Epilogue of the book offers some sobering final thoughts, such as, “Caste is a disease, and none of us is immune. It is as if alcoholism is encoded into the country’s DNA and can never be declared fully cured. It is like a cancer that goes into remission, only to return when the immune system of the body politic is weakened…” 

“Wilkerson’s book is a powerful, illuminating and heartfelt account of how hierarchy reproduces itself, as well as a call to action for the difficult work of undoing it.”—The Washington Post

So, the question becomes, how does the white community deal with systemic racism in this country? Given the numbers and diversity of people participating in the Black Lives Matter protests around the world, this seemed a good time to reflect on my own upbringing and what we can do to take advantage of a pivotal point in our history, especially with elections on the horizon. 

I was brought up in Plainfield, New Jersey, and although many of the students were Black in middle school, I saw only a small number who were part of the “advanced” classes, and these kids seemed very scholastically motivated. My family moved to Littleton, Colorado, when I was 16 and from there to Evergreen in 1963. I went to school on the Western Slope of Colorado in a basically white community and ended up in the equally white community of Scottsdale, Arizona. Shortly after we arrived in Colorado, all hell broke loose in New Jersey with violent race riots, burning property, shooting and looting. I remember thinking, “What was that about? Boy, did we get out of there just in time!” By 1967, Newark, New Jersey, was one of 159 cities where riots took place, including one four-day tirade in which 26 people died. 

ABOUT THE REVIEWER:

Walker was a Peace Corps Volunteer in Guatemala and spent over forty years helping disadvantaged people in the developing world. He came to Phoenix as a Senior Director for Food for the Hungry, worked with other groups like Make a Wish International and was the CEO of Hagar USA, a Christian-based organization that supports survivors of human trafficking. 

His book, Different Latitudes: My Life in the Peace Corps and Beyond, was recognized by the Arizona Authors Association for nonfiction and according to the Midwest Review, “. . . is more than just another travel memoir. It is an engaged and engaging story of one man’s physical and spiritual journey of self-discovery . . .” 

Several of his articles have been published in Ragazine and WorldView Magazines while another appeared in Crossing Class: The Invisible Wall, an anthology published by Wising Up Press. His reviews have been published by Revue Magazine as well as Peace Corps Worldwide, including one on Paul Theroux’s latest book, On the Plain of Snakes: A Mexican Journey. 

His honors include the "Service Above Self" award from Rotary International. His wife and three children were born in Guatemala. You can learn more at www.MillionMileWalker.com and follow him on his Facebook page.

Friday, July 24, 2020

Book Review by Mark D. Walker - Pedro Paramo by Juan Rulfo

GET IT FROM AMAZON HERE
I first learned of what is considered “one of the masterpieces of twentieth-century world literature” while reading Paul Theroux’s, “On the Plain of Snakes.” In his critique of Mexican literature, he mentions “Pedro Páramo” because, unlike many of Mexico’s bestknown authors, Rulfo wrote about rural Mexico. He mentions that the book was published in 1955 and was one of the procurers of “magical realism,” which influenced many of Latin America’s best authors.

When I told my Guatemalan wife about the book, she told me she “hated it.” Evidently, the Belgian nuns who ran her school in Guatemala made this obligatory reading in 6th grade! Oh well, obviously I got a late start finding this great piece of literature, but was not disappointed one bit.

Susan Sontag, an American writer, philosopher, teacher, filmmaker and political activist described as "one of the most influential critics of her generation,” wrote the foreword to the book. According to Sontag, Garcia Marques said that, “Pedro Páramo is a legendary book by a writer who became a legend.” 

The story is about a dying mother beseeching her son to locate his father, Pedro Páramo, whom they fled from years ago. With that, Juan Preciado sets out for Comala, a town alive with whispers and shadows - seemingly populated only by memories and hallucinations. Built on the tyranny of the Páramo family, its barren and broken-down streets echo the voices of tormented spirits sharing the secrets of the past.

Initially, the novel received a cold critical reception and only sold two thousand copies during its first four years, until it was highly acclaimed as a key influence on Latin American writers like Gabriel Garcia Marquez. Marquez claimed that after he discovered Pedro Páramo (with Kafka’s “Metamorphosis” the most influencing reading of his early writing years), he could recite from memory long passages, until eventually he knew the whole book by heart, so much did he admire it and want to be saturated by it. 

Everyone asked Rulfo why he did not publish another book, and Sontag observed, “…as if the point of a writer’s life is to go on writing and publishing. In fact, the point of a writer’s life is to produce a great book—that is a book which will last”---and this is what Rulfo did.

Walker was a Peace Corps Volunteer in Guatemala and spent over forty years helping disadvantaged people in the developing world. He came to Phoenix as a Senior Director for Food for the Hungry, worked with other groups like Make a Wish International and was the CEO of Hagar USA, a Christian-based organization that supports survivors of human trafficking.

His book, Different Latitudes: My Life in the Peace Corps and Beyond, was recognized by the Arizona Authors Association for nonfiction and according to the Midwest Review, “. . . is more than just another travel memoir. It is an engaged and engaging story of one man’s physical and spiritual journey of self-discovery . . .”

You can learn more at www.MillionMileWalker.com 

Wednesday, May 20, 2020

The Million Mile Walker Review What We’re Reading and Why By Mark D. Walker



FIind this book on Amazon HERE
My fellow writers will appreciate this book filled with inspirational stories about how authors prepare themselves each day to create their next masterpiece . . . or not. 


I learned about Daily Rituals from a speaker at the Phoenix Writers Network and began reading some of the 161 short profiles from famous authors and artists each evening, which I found inspirational as well as an opportunity to rethink my approach to writing and how to be both creative and effective. I’ve often wondered how other authors and artists do meaningful creative work and earn a living, which many of these profiles deal with. 

According to the publishers, this book brings together “Writers, composers, painters, choreographers, playwrights, poets, philosophers, sculptors, filmmakers and scientists on how they create (and avoid creating) their creations. “ 

The author reveals why and how he wrote this book in the following statement: 

In that sense, this is a superficial book. It’s about the circumstances of creative activity, not the product; it deals with manufacturing rather than meaning. But it’s also, inevitably, personal. (John Cheever thought that you couldn’t even type a business letter without revealing something of your inner self— isn’t that the truth?) My underlying concerns in the book are issues that I struggle with in my own life: How do you do meaningful creative work while also earning a living? Is it better to devote yourself wholly to a project or to set aside a small portion of each day? And when there doesn’t seem to be enough time for all you hope to accomplish, must you give things up (sleep, income, a clean house), or can you learn to condense activities, to do more in less time, to “work smarter, not harder,” as my dad is always telling me? More broadly, are comfort and creativity incompatible, or is the opposite true: Is finding a basic level of daily comfort a prerequisite for sustained creative work? 

The book includes 27 graphics and photos, such as Ben Franklin’s ideal daily routine, from his autobiography, which starts each morning with the following question, “What good shall I do this day?” The opening quote of the book from Thomas Mann, “Death in Venice,” anticipates what much of the book’s content will try to answer: “Who can unravel the essence, the stamp of the artistic temperament! Who can grasp the deep, instinctual fusion of discipline and dissipation on which it rests!” An extensive set of notes and permissions can be found at the end. 

I gravitated first to my favorite authors like Graham Greene, who decided to write a book of questionable quality because it would be a good seller and allow him to pay the bills while finishing his classic, “The Power and the Glory.” According to the profile on Greene, “…To manage the pressure of writing two books at once, he took Benzedrine tablets twice daily, one upon waking and the other at midday. As a result, he was able to write two thousand words in the morning alone, as opposed to his usual five hundred….”

An excellent and inspiring read for all writers and artists looking to improve their habits and creativity as well as appreciating our special vocation by looking in at the “rituals” of others.


Walker was a Peace Corps Volunteer in Guatemala and spent over forty years helping disadvantaged people in the developing world. He came to Phoenix as a Senior Director for Food for the Hungry, worked with other groups like Make a Wish International and was the CEO of Hagar USA, a Christian-based organization that supports survivors of human trafficking. 
You can learn more at www.MillionMileWalker.com 


His book, Different Latitudes: My Life in the Peace Corps and Beyond, was recognized by the Arizona Authors Association for nonfiction and according to the Midwest Review, “. . . is more than just another travel memoir. It is an engaged and engaging story of one man’s physical and spiritual journey of self-discovery . . .”

Find it on amazon HERE


Wednesday, September 20, 2017

Valerian and the City of a Thousand Planets - by Vijaya Schartz


A phantasmagorie of epic proportions. A thousand worlds anchored into one single city floating in space. Virtual worlds to be sure, but worlds nevertheless, where people thrive and tourism brings millions of humans and alien species. I love the graphics, and the many worlds Luc Besson brought to life.


Impressive photography, I loved all the alien races represented and the many worlds, with their different civilizations. There, a tourist can travel through the universe without leaving the safety of the city in space. A very lucrative business, to be sure.


Of course, all repairs and maintenance are performed by robots... including security, by a cylon-like race of faceless military giants.


The heroes are young and fearless, kind and selfless.


Some aliens are peaceful and idealistic.


They have cute pets that can reproduce whatever you feed them... including priceless energy pearls... which they use to create their own virtual world.


 But that world is threatened by greedy humans, bent on owning the adorable pets for the sake of controlling energy sources.


I loved that famous actors and personalities play secondary roles... including Rihana, who portrays an alien shapeshifter who helps the heroes along the way.



And of course, there are the alien races. Here are a few examples:





And the various habitats of the thousand planets, and the technology, the spacecraft...

All in all, the movie, like Avatar, is an experience you do not want to miss. As for the story and the characters, unlike in Avatar, I found them too simple, and the characters too young and lacking a back story, not deep enough to be interesting. 

Still, if you like science fiction, you will want to see it.


Vijaya Schartz
  Action, Romance, Mayhem
  http://www.vijayaschartz.com
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