Monday, February 19, 2024

The Siren Call of Music to Write by Robert Ronning

 

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I can’t abide silence whether I’m reading or writing. I’ll take music every time, if it offers a pleasant buzz as I write. I seldom listen to ballads or lyrical works: a singer’s words distract me from the words I’m trying to write. The challenge of conjuring up a story with the right words is best met with pure instrumentals floating in the background like a pacifier. I do listen to occasional opera; an aria by Renee Fleming or Kiri Te Kanawa in a language I don’t understand can be a positive distraction.

I go through phases and different styles of music. Recently I’ve been dipping into New Age, but I’m rather picky: I adore Ann Sweeten’s romantic piano pieces that stand out from the musical herd of New Agers. Her distinctive style is recognizable on the first few notes, emotive and dreamy but never soppy. Her siren chords are pleasant and soothing, a muse to write by. Recently departed Tom Barabas was rather similar—a romantic and distinct pianist.

Of course, I have my daily go-to music, mostly NPR’s classical music covering a whole gamut of musical styles and periods—its list is long in “long-hair music,” as my dad called it.

I’m currently in a more upbeat mode and going back to the nineties of Willie & Lobo and their lively blend of flamenco guitar, gypsy riffs, and Willie’s brooding and racing fiddle. How a violin and guitar put out the sound of a rich ensemble is stunning. Since I write adventure stories, they give me a lift even as I hold to my desk and write. They even make me feel young again … almost.


Robert Ronning writes about wildlife and conservation, and published his adventure novel, Wild Call to Boulder Field in 2023. He and wife Kathleen live in Tucson and summer in a cabin in Arizona’s White Mountains, a few minutes daily dog walk from National Forest and wildlife. He considers his proudest achievements rescuing and assisting the rescue of lost dogs. A recovering golfer, now an avid Pickleball player, he likes to unwind with a crossword puzzle. More at www.RobertRonningAuthor.com 


Monday, February 12, 2024

Science fiction needs a hint of romance

 

Find these and more on my BWL page HERE

My love of science fiction started early, when I read DUNE by Frank Herbert. But I always found that these books were written by men and for men. They relied heavily on the technical aspect, and they portrayed male protagonists, with very few female characters. Even the new movie versions of Star Trek are still men-oriented. Star Wars made progress with the last trilogy with Rey as a female Jedi, and more females in the new Disney series. It's about time.

   

As an avid reader, I scoured the library for sci-fi and fantasy novels by female writers, like Ann McCaffrey (Dragon of Pern series), and Marion Zimmer Bradley. Then, I discovered the Dock 5 series, by Linnea Sinclair, the undisputed queen of Sci-fi with romantic elements. Linnea’s books even had cat-like animals called furzells. Her stories contained plenty of action, strong women characters as ship captains, and they navigated the stars, making no apologies. I had found my niche.

This kind of science fiction written by women does not focus on the engineering of the spaceship, or the weapons, nor does it explain how people traverse intergalactic distances. It is set in a future where space travel technology exists and is commonplace, where man has met alien cultures and spread throughout the universe... like in Star Wars or Star Trek.

So, when I decided to write, I wrote what I love, space adventure with strong women as protagonists. Of course, there are brave heroes, and often cats in my stories as well. Write what you know, right?

As for the angels in my books, they are a select group of gifted people with supernatural talents, in charge of keeping the balance of good and evil in the universe. This said, they are still people, with a body and a heart.



The Blue Phantom glows like a beacon in black space, appears and vanishes, and never registers on scanners. Rumors say it will save the righteous, the oppressed, and the downtrodden… and slay the unworthy without mercy. The space pirates fear it. Their victims pray for it… but its help comes at a price…

Vijaya Schartz, award-winning author
Strong Heroines, Brave Heroes, cats
http://www.vijayaschartz.com
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Tuesday, January 30, 2024

Building a Galaxy by Daniel Dickinson

 

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PART 1: Tolkien and Middle Earth

Gas, matter, and energy erupt and expand at an amazing rate of speed, sending seeds of discovery and growth to every corner of your sci-fi/fantasy galaxy. And all it takes is a spark of imagination to get it started. Maybe it even arises with a simple question: Where do I even begin? 

Creative minds need a trigger—perhaps a title, an idea of a character, even a simple theme or emotion. Whatever your stimulus, you will certainly need to create a viable world in some capacity. Whether that world is a subdued, Tolkienlike secondary world or a hyper-real world like Neil Gaiman’s, your story and characters will need a cosmos of their own to explore. The size and scope of that universe is entirely in your hands. My role is to hand you the scales needed to balance the mind-staggering amount of effort needed to build a galaxy of your own, to provide contrasts between smaller worlds and bigger ones, and to illustrate how knowing the difference will save you a lot of work. To that end, I offer this 3-Part examination of different techniques for world-building.

J.R.R. Tolkien’s original unbridled vision of Middle Earth is the main focus of Part 1. It is also the most copied example of world-building. People have dived into the technique of Tolkien’s craft so often that it’s used as a ruler when measuring other worlds. Robert Jordan, Terry Brook, and even R.R. Martin have taken to copying aspects of Tolkien’s fantasy world-building.

The world of Middle Earth began with a hole in the ground, out of which grew the race of small, fur-footed creatures that would carry the entire narrative of the story. The Hobbit, the first of four novels in the Lord of the Rings series, was published by Allen & Unwin in 1937; the remaining titles followed nearly twenty years later. With millions of Tolkien’s books in circulation for eight decades, it’s rare to come across anyone who doesn’t know the story of the Hobbits and their quest to end the dark lord Sauron’s reign of terror.

“I now wanted to try my hand at writing a stupendously long narrative,” said Tolkien, “and to see whether I had sufficient art coming or material to make a really long novel which would hold the average reader right through.” 

With a plan set up and basic guidelines for his world and how its inhabitants would interact, Tolkien set about making up the history that would later define and govern the race and the daily lives of those in Middle Earth. However, there are a few missing pieces to the puzzle in the Lord of the Rings series. Absent are religions, beliefs, and historical temples that would increase the size of the mythology into other levels of existence. Within the original Tolkien stories, there are no direct correlations to the greater cosmos outside of Middle Earth. Reading through the series, the reader is led along the narrative in a closed view of the world and its inhabitants; and, while the world they do interact with is detailed and complex, the story is limited to small sections of Middle Earth. There is a limited scope to the world around the Hobbits, Elves, Dwarves, and men as the reader travels along the path of adventure. They are tightly packed within their own borders with only minor hints of outside lands such as Valinor, the retirement home of the Elves. As readers, we are never really treated to it and are kept at arm’s length.

The original trilogy also does this with other cultures within Middle Earth. For example, we are never brought to the lands of the Harad, or told much about them outside Tolkien’s narrative: “Tis said that there were dealings of old between Gondor and the kingdoms of the Harad in the Far South; though there was never friendship. In those days our bounds were away south beyond the mouths of Anduin; and Umbar, the nearest of their realms, acknowledged our sway. But that is long since.” (Lord of the Rings: The Two Towers, Book 4, Ch. 3 – “The Black Gate is Closed”).

(Lord of the Rings: The Two Towers, Book 4, Ch. 3 – “The Black Gate is Closed”) Historical information is tightly packed into a few lines of dialogue about the Far South and its history. In these instances, the mythology of the world and the cosmos outside only exist to serve the narrative. The world never seems much bigger than what Tolkien wants it to be at any given time. The cosmology is boiled down to character focus, and it becomes an emotional journey. C.S. Lewis, a good friend of Tolkien, once commented on the storytelling aspect of his companion: “The Hobbit is merely an adaption to children of part of a huge private mythology of a most serious kind: the whole cosmic struggle as he sees it but mediated through an imaginary world.” (p. 630, The Collected Letters, Volume II, HarperOne).

This streamlined aspect to Tolkien’s world-building works for his narrative. As a reader, however, I never get the full breadth of the world. There is history but, despite the colorful descriptions, it never seems to go beyond the current scene or setting. We’re given information that the world is old, based on those living there now—Elves, Gandolf, Tom Bombadil are all aged, wise, and completely timeless

And that’s when things start to become a bit weird. If we stop and study the time frames and history within The Hobbit and the Lord of the Rings series, we find time and the greater cosmos take a back seat to the story and adventure. When asked about time in a 1964 BBC interview, Tolkien pointed out that he couldn’t associate the time on Middle Earth with time as we know it “because it had been impossible. Because you would completely interfere with and trammel one in a free invention of history and an incident of one story.”

Tolkien went on to explain that he did not want to use Earth time, nor would Earth’s land masses make sense; he wanted his world to be free of the constraints of pre-conceived history. Time and space are fed to us in small, nutrient-packed bites that fill out the narrative with lively background for the characters to live in and interact with: “The Hunter’s Moon waxed round in the night sky and put to flight all the lesser stars. But low in the South one star shone red. Every night, as the Moon waned again, it shone brighter and brighter.” (Fellowship of the Ring)

This works for Tolkien’s stories and the way they flow. Keep in mind this densely packed world-building is not a bad thing—there’s a reason Tolkien is so often copied and studied. 

The question of where to start when developing a focused world becomes much easier when you’re concerned with the characters, instead of the greater cosmos around them. By developing the characters and their world as you travel along, you can explore it with them, learning new things as conflict arise, like orcs from the mist.


Beginning at the age of ten, Arizona native Daniel Dickinson has spent a lifetime inventing realistic realms for his fictional characters. His fantasy world, Xonthian— created during his teen years—is an entire domain that allows his characters’ journeys to unfold in a diverse setting. He enjoys giving educational presentations about world building and fantasy genres, in general. Daniel’s published works include the short story, Escape from Ogre Island; a two-story horror book, Don’t Close Your Eyes: Two Thrilling Tales of Terror; Aggression Factor; and Gathering Tide. More about Daniel at https://www.tigerforce.net/ and https://shoutoutarizona.com/meet-daniel-dickinson-author/ 


Monday, January 8, 2024

Is there an "X" conspiracy? by Vijaya Schartz

 

Find these and many other novels of mine on the BWL site HERE

I’m not a conspiracy theorist, only a curious writer, whose creative mind notices clues and patterns. I’m always looking for fresh angles and new stories everywhere, and lately, I can’t help but notice the proliferation of “X” in everyday American lives. Is the X part of a secret equation? X = ?

 

It started years ago with the “X” Files, “The truth is out there.” Ominous, but not so far from reality, since in recent years, many governments around the world have opened up about an alien presence in our skies, and a few even claim to have reverse-engineered some alien technology.

As a result, more and more NASA and other astronauts, as well as Air Force and commercial pilots, are opening up about what they saw in space and in our skies. The US government finally admitted to the existence of Area 51, and briefed Congress about UAPs (Unexplained Aerial Phenomena), in 2023, in a secret session, which somehow leaked to the press, and contained military footage of UFO encounters.

Recently, we’ve seen Twitter become “X” under Elon Musk’s new ownership. Why? The symbol is ugly and gives me the shudders. Not a very good marketing move. The man also owns SPACE”X”. Is he signaling that Generation X is taking over the reins of technology? Or is there an X-File alien technology connection? Musk has also been accused of endorsing antisemitic posts on X, causing many advertisers to leave the platform. X was also accused of favoring white supremacist groups. Coincidence?
  


Many other companies in recent ads are prominently displaying the “X” factor. From pharmaceutical labs, AnolonX, AreXvy, or media companies like “X”finity internet or manufacturers like the X-chair, and TV shows like the X-Files and the UneXplained.



Celebrity X cruises displays an X that is not part of their name. When the public suggested it meant X-rated cruises for adults, their official rebuttal was: The big “X” on the funnel of the cruise ships represents the Greek letter chi for “Chandris.” Maybe it does… then again… maybe it means something else.


Conspiracy X is an RPG (Role Playing Game) based upon a secret invasion of Earth by aliens insidiously taking over the world. It is set in a world of dark secrets and hidden agendas where nothing is what it seems.


According to others, Disease X is the next pandemic.

Are we facing a new generation of X-men identifying themselves to each other? Or is there a secret “X” society manipulating governments toward an unknown destiny? It wouldn’t be so farfetched, since secret societies have been running the world from the shadows for millennia.

I guess we will find out… eventually, if we live long enough. In the meantime, I’ll keep watching for clues.  

My novels are full of intergalactic conspiracies, villains, strong heroines, brave heroes, and cats. Find them here:






Happy reading!

Vijaya Schartz, award-winning author
Strong Heroines, Brave Heroes, cats
http://www.vijayaschartz.com
amazon B&N - Smashwords - Kobo