Find Vijayas latest book HERE |
The enormous bell is rung with a strong pole, pulled by several people with ropes. |
Find Vijayas latest book HERE |
The enormous bell is rung with a strong pole, pulled by several people with ropes. |
Click on cover for Amazon link
Mike Rothmiller and Douglas Thompson draw on LAPD intelligence files, a cache of FBI documents, and extensive interviews with prime sources who worked with Frank Sinatra. Many of them tracked his long and fatal association with American Mafia leaders, including Sam 'Momo' Giancana, who shared a lover with President John F. Kennedy.
Shortly after John F. Kennedy’s assassination, 19-year-old Frank Sinatra Jr. was kidnapped at gunpoint in Lake Tahoe, Nevada. A $240,000 ransom was demanded from his father. While law-enforcement agencies sprang into action, Frank secretly contacted his Mafia friends for help. The Mafia believed they could free young Frank much more quickly through their underworld connections. In the end, nine people died.
Revealed here as never before is the extent to which Sinatra was adopted by the Mafia. They promoted his career and ‘watched his back.’ In return, Sinatra danced to their tune. The book reveals Mafia and CIA interests as well as explosive, previously secret documents.
Available for pre-release sales on Amazon, Barnes & Noble, and other outlets.
Vijaya's latest release. Find it HERE |
Whether it’s a stocking stuffer novel, a kindle gift sent to a friend faraway, or the wrapped gift of a complete paperback series, if you know the favorite genre of the avid readers among your family and friends, books make wonderful gifts.
Maybe it’s the story they talked about but never got to buy for themselves. Maybe it’s the new release in a series they started and loved. Or you can surprise them with a book you enjoyed and want to share with them. In any case, it’s becoming simpler and easier than ever to gift books.
You can do it from your laptop or phone, order online from your favorite retailer, and have it shipped or emailed. It takes little time and effort. It will be appreciated on cold, snowy, or rainy days.
Going with a reliable publisher, like BWL Publishing, will ensure it’s a quality book. Other ways to select a good book is considering the author’s track record. Award-winning authors usually deliver consistent quality reads. You can also read the ratings and reviews shared by other readers on the retail sites.
The most difficult part of this process is selecting the right genre and the right titles. Find out if you friend likes cozy mysteries, romance, action/adventure, Historical novels, fantasy, science fiction, or a mix of genres.
I write in many genres and also like to mix them. From contemporary romance to realistic Celtic legends, to space opera and science fiction, including even felines in some of my stories. But each author brings his or her personal touch to the writing, and if you like an author in one genre, chances are you will like that author’s other writings as well.
Here are some suggestions from my popular writings:
Curse of the Lost Isle series (Celtic legends – Edgy medieval)
amazon - B&N - Smashwords - Kobo
Chronicles of Kassouk series (Sci-fi romance)
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Azura Chronicles series (Set on another planet – includes cats - androids - romantic elements)
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Byzantium series (Set on a space station - cats – action - sweet romance for all ages)
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Archangel twin books (Aliens and angels in a contemporary setting)
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Romance (rated R)
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Happy Holidays with books!
Vijaya Schartz, award-winning author
Strong Heroines, Brave Heroes, cats
http://www.vijayaschartz.com
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CHARACTER AND PLOT DEVELOPMENT
CHARACTER DEVELOPMENT
Who is your most memorable character in literature? Jay Gatsby? Scarlett O’Hara? Sherlock Holmes? Gandalf? What is it about that particular character that has stayed with you over the years?
Scout Finch tops my list, the indomitable young girl in Harper Lee’s 1960 classic, To Kill a Mockingbird. Scout’s naiveté, coupled with her tomboyishness and blunt honesty, creates a flawed yet fully fleshed character who’s stayed with me since I first read the novel in the early 1970s. Even when I taught a unit on TKAM every year in high school English, I never tired of Scout or her earnestness. If anything, her character grew on me.
So how do we, as authors, create memorable characters in our own works? Knowing our characters inside and out, sometimes before they hit the page, is one of our most important tasks as authors.
Think of it like dating. You don’t marry someone you hardly know (well, not usually!) It can take weeks or months (or in my case, years) to decide if that certain someone is right for us. We assess, observe, and question our potential mate’s inner and outer characteristics as we experience shared events and situations.
Does he/she/they have road rage? Negative political views? A nasty habit? Does he/she/they have a penchant to do good in the world? Accept others, warts and all? Love wildly? All of this factors into our decision whether to take a chance on a relationship.
The same goes for characters. Who are they? And why should readers spend time with them?
Early on in every manuscript, my (very detail-oriented) editor asks for a five-pronged character map for each of my characters. Talk about time consuming! When I’d rather be writing! But it’s proved an invaluable tool for each novel.
Here is a sample:
Character Worksheet
Be as specific as possible
Vital Statistics - Physical Traits - Socio/Economic Situation - Gut Reactions
Full Name: Height: Education: Certainty vs. Change:
Gender: Weight: Occupation(s):
Confusion vs.
Understanding:
Age: Ethnicity/Race: Income:
Defeat vs. Success:
Born: Hair:
Attitude toward wealth/
poverty:
Despair vs. Joy:
Now Resides: Eyes:
Jealousy vs. Acceptance:
Birth Order:
Striking Features: Personality Loss vs. Gain:
Parents: Physical Flaws: Introvert/Extrovert/Other:
Love vs. Hate:
Siblings: Habits: Mental Illness (if any):
Panic vs. Calm:
Spouse (if any): Health: Strengths:
Worthiness vs.
Unworthiness:
Children (if any):
Skills: Weaknesses:
Pertinent Backstory: Hobbies:
Triggers:
Disabilities: Spiritual Life (if any):
Speech
After this exercise, take the five category headlines (Vital Statistics, Physical Traits, Socio-Economic Situation, Personality, Gut Reactions), winnow it down, and write a character synopsis. I repeat this exercise for every major character in the book, first the worksheet and then the paragraph.
Note that these are more detailed for primary characters than secondary characters. Tertiary characters and cameo characters are not as fleshed out (or at all).
Here’s an example of a character synopsis of the protagonist, Ruby Fortune, in my recent release, Hardland.
Ruby Fortune: protagonist; VS: Ruby Barstow Fortune, b. 1873 in Tucson, Arizona (6 years old (1879) to 34 years old (1907) in span of novel), only child of now-deceased George “Big Burl” Burlingame Barstow, widowed, mother of five boys (one deceased), resides in Jericho, A.T. north of Tucson, kills husband, Willie Fortune, in self-defense, swindles co-mine owners for claim of Silver Tip Mine outside Jericho, A.T.
PT: Short, blonde, thin, flat-chested, weathered face, fit, attractive, low voice
S-E: Eighth-grade education, "Girl Wonder" (sharpshooter in her father’s Triple B Traveling Carnival and Wild West Show), now owner/proprietor of Jericho Inn/The Miracle.
P: Extrovert, outspoken, hard worker. Character Strengths: willful, loyal. Character Weaknesses: details, men. Triggered by nightmares of past abuse. Admits mistakes. In awe of nature.
GR: Difficulty working through change. If taken once by someone, vows not to be taken again (exception: Willie Fortune). Accepts everyone at face value, although not without judgment; slow to alter first impression, but does, when warranted (for good or evil). She-bear about sons; puts them first at her own expense. Struggles with relationship to God. At times, hot-tempered and foul-mouthed; at other times, reflective and soulful. Often own worst enemy. Makes mistakes in relationships. Works to manage pain and panic. Questions whether she is worthy.
You’d be surprised how many times I returned to this synopsis while writing. When Ruby is hot-tempered, her mouth runs ahead of her thoughts. Check. I’m being consistent. When she’s reflective, she goes somewhere deep, into a place reserved for interior dialogue. Check, again. Consistency to character is paramount.
If it sounds like a lot of work to create characters through devices such as worksheets and synopses, it is. I contend you’ll be more satisfied with your characters, though, and so will your editors and readers.
But wait, there’s more!
PLOT DEVELOPMENT
After getting to know my characters, my editor then assigns a chap-by-chap plot summary worksheet, using the following classic plot template:
DATE/SETTING
Opening: Falling Action: Inciting Incident: Denouement: Rising Action: Ending: Climax
My entry for the first chapter of Hardland begins this way:
September 7, 1899, Jericho, Arizona Territory
Opening:
Weather detailed: windy/cloudy/dark
Locale detailed: dry/unforgiving/spare
Character detailed: stature/anxiety/bruised neck from recent abuse
Inciting Incident:
Ruby Fortune navigates steep, dangerous incline to Silver Tip Mine outside Jericho, A.T., almost falling into a crevice
Rising Action:
Ruby Fortune arrives at Silver Tip Mine with forged will of dead husband Willie Fortune to claim ¼ of mine ownership; plans to buy a dilapidated roadhouse with funds
Climax:
Ruby confronts and pulls gun on mine owner, Jimmy Bugg
Falling Action:
Sheriff Sheldon Sloane arrives at mine on business
Denouement:
Sloane arranges for Bugg to pay Ruby the next day at Jericho First National Bank
Ending:
Ruby and Sloane ride back to Jericho in middle of monsoon
As a classic “pantser,” this worksheet is not nearly as detailed as outlines of classic “plotters,” but it does give structure to each chapter. And remember to end each chapter, as novelist Olivia Hawker says, with a “cymbal crash” (others call it a “cliff-hanger” or an “uh-oh” moment, something to keep your readers going and not wanting to put your book down).
In closing, there is much we can do before we even start our stories to flesh out characters and give our stories shape. Of course, authors must be flexible as writing is underway. Maybe a character develops an unforeseen ailment to deepen the plot, or we have to switch up or delete chapters for clarity. Life—in reality and in fiction—is full of surprises. Be open to them!
Until next time, Happy Writing!